Performing the Bible at Dura-Europos

GKA HUMAN 2021

19/04/2021 56 visitas

Aspects of Performance in Victory Celebrations in Byzantium and Medieval Islam

GKA HUMAN 2021

19/04/2021 51 visitas

Cassia’s Woman of Many Sins: From the Two-Dimensional to the Three- Dimensional Interpretation of Byzantine Poetry

GKA HUMAN 2021

19/04/2021 55 visitas

From the Oral Tradition to Music Text and Vice Versa: How the Performance of the Byzantine Church Music Gives Rise to Different Identity Practices

GKA HUMAN 2021

19/04/2021 48 visitas

Is There a “Speech-Act” Theory of Performativity in Byzantine Thought?

GKA HUMAN 2021

19/04/2021 55 visitas

Literary Performances of Madness and Demonic Possession in Byzantium

GKA HUMAN 2021

19/04/2021 41 visitas

Literary Soundscapes in the Palaeologan Period: Preliminary Remarks

GKA HUMAN 2021

19/04/2021 34 visitas

Michael VIII “Haranguing”

GKA HUMAN 2021

19/04/2021 35 visitas