Performing the Bible at Dura-Europos
GKA HUMAN 2021
04/19/2021 95 visits
Aspects of Performance in Victory Celebrations in Byzantium and Medieval Islam
04/19/2021 76 visits
Cassia’s Woman of Many Sins: From the Two-Dimensional to the Three- Dimensional Interpretation of Byzantine Poetry
04/19/2021 104 visits
From the Oral Tradition to Music Text and Vice Versa: How the Performance of the Byzantine Church Music Gives Rise to Different Identity Practices
04/19/2021 99 visits
Is There a “Speech-Act” Theory of Performativity in Byzantine Thought?
04/19/2021 91 visits
Literary Performances of Madness and Demonic Possession in Byzantium
04/19/2021 61 visits
Literary Soundscapes in the Palaeologan Period: Preliminary Remarks
04/19/2021 48 visits
Michael VIII “Haranguing”
04/19/2021 51 visits
Your experience on this site will be improved by allowing cookies. Allow cookies
Privacy and cookie policy