The aim of my paper is to examine how authenticity and voice of the Icelandic Contemporary Art are allows us to write all current progressive tendecies, structures and artistic patterns. The research design encompasses two parts: 1. Firstly, how the positions of the Icelandic Art’s possibilities have changed through the years, focusing on the differences artistic institutes’s opportunities to represent the Icelandic Art in abroad. 2. Secondly, what are the tendecies of the Contemporary Icelandic Art, focusing on every patterns which shown up in artistic project currently. Thusly, the thesis is that a large amount of factors demonstrate that there are authentic Icelandic Art’s patterns which are originally represent their cultural rederenses.The method of artistic project’sanalysis adopted to the two above mentioned problems will demonstrate the assumption.